Monthly Archives: July 2018

Toronto Casting Director Jules Fitzsimmonswas in Ottawa for the successful second annual Eve Film Festival and I asked her if she could meet some actors from The Meus’sroster and share her insights on how the casting process works.

Jules casts hundreds of roles a year and sees thousands of live and taped auditions, headshots and CVs. The actors she met, mostly women, ranged in age from 10 to 65 and from novices contemplating the business to actors who are regularly cast in principal roles.

“The first thing to know is that the casting team is going to have 400 to 800 potential actors that fit the breakdown and may, if lucky, be able to put 10, more likely 5, up in front of the production team. If you’re not invited to audition, it’s not a bad reflection on you or your agent.”

How do actors improve their chances of being invited to audition?

“First, the basics, the ones that your agent is always reminding you about: Make sure your résumé, photos, slates are complete and up to date. The more complete your profile, the higher in the list your name shows up.”

“Second, make us look forward to seeing you again! I’m already curious about you, so show me that you can show up and you’re happy to perform for our select, little audience. Remember that we have lots of other parts to cast besides this one, both right now and in the future. Also, be professional with everyone at the audition – we assume you won’t behave better on set than you do in the waiting room.”

What do we do if we don’t get the part?

“Don’t sweat it! You got to act this week! My job is to get the biggest and most diverse set of capable actors for the production team to choose from. All other things being equal, they may want to go with the proven actor. It makes me sad when they overlook a new performer who would do the job as well or better. Fortunately, there are only 365 days a year, and that proven actor can’t appear in everything that shoots everyday.”

How much latitude do we have on the age range posted in the breakdown? Some of us are prematurely grey, some of us are baby-faced…

“Your agent already knows this about you and is submitting you accordingly. We don’t ask adults how old they are, of course. If the part appeals to you, ask your agent if they would pitch you.”

I’ve been told I shouldn’t put training and workshops that I’ve attended on my résumé?

“Well, if you already have a full page of work in recognizable roles listed, maybe there’s no need. But if you’re starting out and only have a few roles, maybe amateur, sure, list the workshops and training that you’ve done, too. Casting Directors recognize the good trainers and it reassures us that you’ll audition well. Again, take your agent’s advice on the content and format of your résumé. If you’re not in a role, I expect you to be working on your craft. That includes workshops, training, volunteering at festivals, anything that shows that you’re learning as much as possible.”

What are the big no-no’s for the actor who wants to get as many auditions as possible?

“Well, failing to show up is sadly common. If you accept, show up. If you must decline, tell your agent why, promptly and politely, so that it doesn’t reflect poorly on you.”

“Also, “no hating, no grumbling” especially not on social media. Don’t lash out, privately or publicly, at the actor who got the part, the producers, the casting director, or your agent. Your social media presence should imply that you’d be a pleasure to work with.”

I really wanted to meet Jennifer Cooper, who casts 5 TV series in L.A. and is probably one of the busiest casting directors down there. The way I met her was pretty funny, I disguised myself as an actress and did her workshop in Toronto. She knew I was coming as an agent but I had to pretend to be an actress to keep it a safe zone for all the actors. I wasn’t there to recruit but to get insight on what she looks for in the actors she chooses. I was so embarrassed when she asked for everyone’s head shots and I didn’t have one (something I always tell my actors to have on them. Not just one copy but a few.) She kept making jokes throughout the workshop how agents were the worst, knowing that I was in disguise. It was hard not to laugh or cry.

Before Jennifer was a casting director, she wanted to be actress, which is something that I can relate to. I won’t even tell you the number of plays and musicals I was involved in. I loved showbiz but what really drew me to it was the business side of things. Being an actor is the hardest job in the world. You have to really want it. You have to wake up in the morning and be dying to do it, otherwise you just won’t last. Being an actor is a struggling business. You really need to ask yourself. Do you love this? I remember my last audition that I did in maybe first year University, the director asked me,  “You don’t want to be here. Do you?” The truth is I never wanted to be an actor, I wanted to be the person behind the table. This moment was the beginning of me becoming a talent agent. I wanted to help people get those parts, get those opportunities that they never thought they could get.

I remember Jennifer talking about how casting directors are rooting for you to get the job and to never think that they are against you in some way. If they bring you in, they want you to get the job because if you don’t, they have to keep working to find someone else and that could be an all nighter. Remember they want you to get the job. If you remember that going into an audition it will help you calm your nerves. Just remember to not do anything ridiculous. She talked about how one actor decided to do a back flip randomly in the room. Don’t do that. If you act crazy you will also not get the job as it is their reputation on the line.

When it comes to submissions she talked about the one liners. For a one liner auditions she would get up to 2000 head shots for one role. When it comes down to actors roles it’s not necessary about acting but what you look like so you better have good head-shots. The one liners is a good starting point. If you do amazing on that they will keep bringing you in as you build your reputation. Remember that it isn’t a fast process. You have to prove yourself. You have to build your reputation. You have to build your relationships.

Questions as an actor that you should keep in mind:

What would a marketing person say about you?
Who will watch you?
Who is that person watching you?

 “There is nothing that will get you the job but talent.” – Jennifer Cooper

Build your relationships. Build your Brand. Build. Build. Build.

Ambition. Drive. Think of acting as a being a single mom. Think about how much it takes to raise a child and work a full time job. The strongest prevail and the others start to hide away their art. Acting is a world of rejection. Sometimes actors begin to feel worthless, but there is something inside of everyone that is worth a great deal.  Watch Dead Poets Society (1989) for inspiration.  Express your art. It’s not meant to be hidden away. It does take hard work though.

To be a professional actor, as most of you know, you need an agent. An agent pitches you for opportunities based on your experience and portfolio. Agents do get questioned a lot by actors about whether auditions are coming in or not. It is all based on your credentials.  Do you have current training? Do you have credits? On your resume, what were the jobs that you got paid for? To start, it’s good to do as many indie films to build experience, but for bigger jobs it comes down to actual credits and jobs that you were paid for. If you become Union too soon and you don’t have any credits, it will be harder for you to get work. They pick 5 actors out of 500.  Who will they pick?  The ones that have the most experience and training.  

You are what your dominant thoughts are. Keep in mind that with acting you could be rejected 500 times before you get one yes. Trying to stay confident is hard. Try to keep your thoughts positive. Try to send positive thoughts to your agent too. They want you to book the part as much as you do! Put positive quotes on the wall. Have your goals visualized somewhere. Just keep driving.I recently met with one of my high school teachers, Barbra Berry. I started to remember teachers that really inspired me and kept me goal orientated. She was my gym teacher and track coach in high school.
I remember doing the 100 meter run. Yes, short people can run fast.  My legs collapsed and I had to get carried off the track. I was pretty embarrassed and very sad. My competitive nature kicked in and the truth is I hated losing. Afterwards, I was ready to give up. I’m not going to run anymore.

A week later in gym class, I’m standing at the track and Mrs. Barry was timing all the students on their run. She turned to me and asked me, “Are you going to run?”  I can’t even tell you how many swear words came to my head. There was no way I was going to run. I could barely walk. I looked at her and said, “No. I’m not running anymore.” I remember it like it was yesterday, she just looked at me and asked me, ” Well, can you walk?”
“Yes, I can walk.”
“Well, get walking then.”

Everyone was running by me as I walked around the track. I felt ridiculous at first, especially because Mrs. Barry was timing me.  She waited for me to finish with the timer. Even though it was probably an extra 30 minutes or more. At the end she said, “Good.”

I didn’t really know how to respond, but in that moment I became more determined than ever. I would retrain myself to run. I did physio and kept walking around that track until I could run again. I ended up winning some races afterwards too.  At first I thought my accident was terrible, but it became positive in my personal growth. What we can take from Mrs. Barry is when things get hard keep moving forward. Get around that track no matter how long it takes. Continuing to move forward is key, but you have to be smart about it as an actor. Yes, you may have talent, but it’s not just about acting. Acting is a business. Your agent promotes you, but you have to build your reputation.  Being a professional actor is just like owning your own personal business. You need to have a brand, you need to promote it, and you need to market yourself. Why would casting directors bring you in if they don’t know who you are? There are events and workshops in Ottawa, Montreal, and Toronto that can help you present yourself to key players that bring you in the room.  

If you are a better actor and you are up against a not so good actor that has booked more jobs and has made more money for the producers, who will they pick? The better actor or the one that would bring them more money?  


I really hope every actor has an Instagram account and a blog.  I bet producers google actors now. Having an audience in showbiz is important. The more fans that will watch you, the more reasons they have to book you for a production.  It means they will sell more and the production will be more valuable.  Creating content is key, but make sure it’s quality content. Bad content can harm your career. I’ll say it again. Create content. Create content. Create content. 

A great podcast to listen to is That One Audition with Alyshia Ochse. Very insightful and inspiring to all actors.  
Please listen to episode 045 Allen Maldonado.
The doers are the ones that book.  So go do!

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